by Stephen ParrishIllusions was Richard Bach’s encore to Jonathan Livingston Seagull, and in my opinion, his magnum opus as well.
by Stephen ParrishStyron’s writing is muscular, confident; he writes with the poise and pluck of a man who knows he can use any damn word he likes.
by Stephen ParrishAn artist sees hue and value, a choreographer watches how people move. A writer sees little stories in everyday situations.
“I’m turning in my card.” Francie pushed the wrinkled dog-eared card covered with stamped dates across the desk. The librarian picked it up and was about to tear it into two, when Francie took it back from her. “I guess I’ll keep it after all,” she said.
“Marta, something strange happened tonight. On the bank of the river I heard the owl call my name,” and it was a question he asked, an answer he sought.
The strength of this piece is its message of Darwin in the Wild. We often hear that our stories shouldn’t boast of their messages. Nevertheless in good stories the messages are there.
The author chose to create a detailed portrait, to use the little brushes and paint the small details. It works if the details are interesting, if the presentation is well written.
The set-up: WWII is coming to a close. Navy captain “Pug” Henry’s marriage to Rhoda is at an end following infidelities and the turmoils of war. Yet one tiny window of opportunity remains open.